Full stage in show light. Designed by: ADAM KOCH and STEVEN ROYAL. Directed by: SHAUN KERRISON. Ogunquit Playhouse. Scenic Charge: Cheryl Dolan Assistant Scenic Artist: Liv Honer

Foam bells covered in sculpt or coat, cheese cloth, and layers of metallic paints. These are being tested on their truss before finishing touches. Designed by: ADAM KOCH and STEVEN ROYAL. Directed by: SHAUN KERRISON. Ogunquit Playhouse. Scenic Charge: Cheryl Dolan Assistant Scenic Artist: Liv Honer

Brick flats painted to match original design that no longer existed. Ogunquit Playhouse. Scenic Charge: Cheryl Dolan Assistant Scenic Artist: Liv Honer

Recreating the floor design from original tour. Ogunquit Playhouse. Scenic Charge: Cheryl Dolan Assistant Scenic Artist: Liv Honer

Additional scenery added to match existing scenery. Additions designed by: Geof Dolan Ogunquit Playhouse. Scenic Charge: Cheryl Dolan Assistant Scenic Artist: Liv Honer

Floor treatment for "Mama's Boy" at The Good Theater in South Portland, ME. 2015. Directed by BRIAN ALLEN.

Painted rooftop for the Columbia Inn in White Christmas recreated for the 2015 production at The Music Hall. Designed by ANNA LOUIZOS. Directed by JAYME MCDANIEL.

12'X14' Canvas Drop originally designed by ANNA LOUIZOS, recreated for 2015 White Christmas at The Music Hall. Directed by JAYME MCDANIEL.

Ogunquit Playhouse as Scenic Charge. This is also showing the Buddy Holly Story deck treatment. Lighting Design by: RICHARD LATTA.

Ogunquit Playhouse as Scenic Charge. Piano, bandstands, and refreshed deck treatment. Lighting Design by: RICHARD LATTA.

Ogunquit Playhouse as Scenic Charge. Prop that needed a weathered paint treatment to match existing set.

Ogunquit Playhouse as Scenic Charge. Prop that needed a weathered paint treatment to match existing set.

Ogunquit Playhouse as Scenic Charge. Set Designer: CAMPBELL BAIRD. Load in of set. Full build.

Ogunquit Playhouse as Scenic Charge. Set Designer: CAMPBELL BAIRD. SL "old fashioned hand painted" signs.

Ogunquit Playhouse as Scenic Charge. Set Designer: CAMPBELL BAIRD. SR "old fashioned hand painted" signs.

The Orlando Repertory Theatre as overhire painter. Scenic Charge: TOM MANGIERI We worked on the deck treatment, portals and lining tree drops together.

The Orlando Repertory Theatre as overhire painter. Scenic Charge: TOM MANGIERI We worked on the deck treatment, portals and lining tree drops together.

Ogunquit Playhouse as Scenic Charge. Assistant paint/props: KATHLEEN MORIARTY. Set Designer: KATHLEEN MORIARTY. This was an existing set piece that needed some rehab. The wilting rose. The base was replaced and the "gold" top was changed.

Ogunquit Playhouse as Scenic Charge. Assistant paint/props: KATHLEEN MORIARTY. Set Designer: KATHLEEN MORIARTY. The wilting rose after repairs and new paint treatment.

Ogunquit Playhouse as Scenic Charge. Assistant paint/props: LIZA BLAZE. Set Designer: CHERYL DOLAN Pinkalicious cupcake light boxes.

Ogunquit Playhouse as Scenic Charge. Assistant paint/props: JOHANNA JOSEPHIAN. Set Design: CHERYL DOLAN The caterpillars' toadstool.

Ogunquit Playhouse as scenic charge. Assistant paint/props: LIZA BLAZE. Set Designer: ALEX KEEN Giant book made from foam core and muslin.

Ogunquit Playhouse as scenic charge. Assistant paint/props: LIZA BLAZE. Set Designer: ALEX KEEN Ka the puppet was carved out of foam and covered in burlap.

Ogunquit Playhouse as scenic charge. Set Designer: LISA HAEDRICH

Joseph and the Amazing Technicolor Dreamcoat, Ogunquit Playhouse as Scenic Charge. Sphinx

Ogunquit Playhouse as Scenic Charge. Assistant paint/props: KATHLEEN MORIARTY. Set Design by: ROBERT ANDREW KOVACH. Lighting Design by: RICHARD LATTA. Photo courtesy of: GARY NG Sphinx onstage.

Ogunquit Playhouse as scenic charge. Buddy Holly deck treatment before poly.

The Good Theater as Scenic Charge and Props Master. Set Designer: CHERYL DOLAN

Fiddler Trees are muslin wrapped chicken wire and ply.

Ogunquit Playhouse. VW bus before treatment.

Ogunquit Playhouse as scenic charge. VW bus treatment. paint/props assistant: LIZA BLAZE

Ogunquit Playhouse as paint/props assistant. Magazine cover was a splitting light box slider. Scenic Charge and Designer: MATT RUDMAN

Star Theater, Stageforce as scenic charge. Set Designer: DANE LEEMAN Stained glass window was plexi, tinted robo glue, and caming lines.

Palm trees. Muslin wrapped ply.

Ogunquit Playhouse deck treatment as Scenic Charge. Assistant paint/props: KATHLEEN MORIARTY

Orlando Shakespeare Theater as overhire scenic painter. Scenic Charge: ROBBIN WATTS

Orlando Shakespeare Theater as paint/props assistant. Scenic Charge: ROBBIN WATTS. Set Designer: BERT SCOTT Photo courtesy of: ROB JONES

Orlando Shakespeare Theater as overhire scenic painter. Scenic Charge and Set Designer: ROBBIN WATTS Photo courtesy of: ROB JONES

Orlando Shakespeare Theater as paint/props assistant. Scenic Charge: ROBBIN WATTS. Set Designer: BOB PHILLIPS Photo courtesy of: ROB JONES

Orlando Shakespeare Theater as paint/props assistant. Scenic Charge: ROBBIN WATTS. Set Designer: BOB PHILLIPS This was my first show. I'm still very proud of this one. Photo courtesy of: ROB JONES